song – une langue seconde C#7 je dois ècrire une chant dans une Ab7 langue seconde C#7 je dois ècrire une chant dans une Ab7 langue seconde C#7 je dois ècrire une chant dans une Ab7 langue seconde Eb7 tu es le vert roy Eb7 tu es le vert roy Eb7 tu es le vert […]Read more "song – une langue seconde"
Cm7 breakfast; is on the C#7 table; a cup of Ab7 coffee; and one old Gm7 bagel; with peanut Fm7 butter; and one with Ebmaj7 jelly; delicious Fm7 breakfast; to fill your Ebmaj7 belly — Logan BrightRead more "breakfast – a song"
E5 F5 simulated psycho E5 G5b9 simulated psychopath E5 F5 simulated psycho E5 Bb5b9 path E5 F5 simulated psycho E5 G5b9 simulated psychopath E5 F5 simulated psychopath G5b9 Bb5b9 is gonna catch you in the bath C7 D-7 bubbles go a-poppin’ as his C7 D-7 cleaver goes a-choppin’ and he’s C7 leavin’ lots of evidence […]Read more "simulated psychopath: a song"
David Foster Wallace: Fiction, TV, and Moral Subjectivity David Foster Wallace, in his essay “9/11: The View From the Midwest,” draws upon his considerable tool-set as a fiction writer to deliver a fresh, dramatic, and evocative take on “the Horror” of 9/11. He uses diverse and poetic diction, employs structural literary formalisms, and highlights his […]Read more "David Foster Wallace: Fiction, TV, and Moral Subjectivity"
mounting opposition burbles underneath the surface, some sick beast and all the rest. that wasn’t what it was meant to be well supposed to ah all right then. Yeah, I get it. Meant to put it that way, in fact. There aren’t a lot of other voices clanging around in here.Read more "poetry: mounting opposition"
Recursion is an important aspect of human language, and a core part of the notion of Universal Grammar (UG). Recursion is the ability to string together a potentially infinite regress of embedded sentences, which are functionally limited only by human memory and cognitive processing power. Evans and Levinson (E&L) cite Hauser et al. (2002) who […]Read more "Reflections on Recursion"
David Foster Wallace, in his personal essay “9/11: The View from the Midwest,” conceptualizes two “basic classes” in American culture, situating them in his adopted home of Bloomington, Illinois. These classes are symbolized by “the SUV and the pickup truck,” modes of conveyance well-suited both to the “extremely flat” countryside and to their respective demographics, […]Read more "David Foster Wallace: Aerial and Ground Views on Cross-cultural Transmissions"